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Bill Van Nostran Bill
Van Nostran’s award-winning corporate communication career has spanned
two major trends: growth and maturation of corporate video in the 70s
and 80s, followed by the explosive adoption of digital interactive media
in the 90s. Currently
he is an independent media writer serving Fortune 500 clients such as
PriceWaterhouseCoopers, Pharmacia, DaimlerChrysler, Michelin, National City
Corporation, and others. Executive
Producer Between
1997 and 2000, Bill was an executive producer at VuCom newMedia’s Cleveland,
Ohio production facility. This Michigan-based interactive consulting and
production company offers digital communication and training solutions to
corporate clients. East
Coast Connections Before
joining VuCom’s Cleveland office, Bill spent many years as a freelance writer
in the New York City market where his client list included Fortune 500
companies such as Johnson & Johnson, International Paper, Kraft
General Foods, Warner-Lambert, Prudential and many others. Bill also did
projects for several health care advertising agencies as well as
organizations such as the Epilepsy Foundation of America and National Cancer
Institute. His
resume includes stints in the corporate communication and media departments of
Owens-Corning Fiberglas and Crum & Forster Insurance Companies. Writing
& Teaching Bill
is author of The Media Writer's Guide, an introduction to writing for corporate
media published by Focal Press. Bill conducts workshops on writing for the
Internet, informational media writing, and the creative process. He taught
for several years as an adjunct instructor in the MBA in Corporate
Communications program at Fairleigh Dickinson University in New Jersey. As a playwright, Bill received a 1992/93 fellowship from the New Jersey State Council on the Arts for his play, "Dream Machines." His screenplay, "Rachel’s Song," was a finalist in the 2003 Moondance International Film Festival. He is also a weekly columnist for Hollywoodlitsales.com’s website dedicated to the craft of screenwriting. Courses |
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